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Artist Gary L Hightshoe | Hay There, Farm Dad White Coffee Mug
from $16.00
In 1972, Gary L Hightshoe took his landscape architecture students south of Ames and found this — a remarkable barn and hay elevator that told the story of every Iowa Farm Dad who ever threw hay bales by hand into a second-story loft. Before the hay elevator, storing winter feed for the cattle meant lifting and tossing hundreds of heavy rectangular bales overhead, one by one, in the summer heat. The hay elevator changed everything. A motorized conveyor belt that shuttled bales up and into the barn hayloft, it didn't just save time — it saved backs, shoulders, and entire harvests. It let the Farm Dad manage more livestock, store more feed, and spend a little less of himself on every single bale. Some of the greatest gifts in farming weren't given — they were invented.
Gary L. Hightshoe is an Emeritus Professor of Landscape Architecture at Iowa State University, where he taught plant materials, planting design, and landscape resource management for more than 47 years. Over the course of nearly half a century, his colleagues, clients, students, and family have known him by many names — the Tree Whisperer, the Grandfather of the Prairie, the Godfather of Savanna Studio — and every one of them fits.
A lifelong conservationist, ecologist, historian, illustrator, hunter, angler, photographer, and artist, Gary is the author and illustrator of two landmark works: Native Trees, Shrubs, and Vines for Rural and Urban America and North American Plantfile — books that continue to shape the field of landscape architecture. His most enduring legacy, however, may be Savanna Studio at Iowa State: the only traveling landscape architecture studio of its kind in the world. Over two decades, Gary led more than 1,000 students out from behind their desks and into the field — to the Boundary Waters, Yellowstone, Theodore Roosevelt, the Badlands, and beyond — because, as he has always believed, "you can't develop a relationship with the landscape from behind a desk."
Gary loves the great White Oak, the Pagoda and Flowering Dogwood, and any native prairie forb. His granddaughters will tell you he is decidedly not a fan of petunias, lilacs, or red-leafed varieties. And he has spent a lifetime restoring 40 acres of never-tilled original Iowa land — wetland, prairie, and forest — to the way it was always meant to be.
"Long after we've come and gone, a tree still stands." — Gary L. Hightshoe
Gary L. Hightshoe is one of five Kate Shu Collective STAR Resident Artists and a treasured member of the Monarch Shoppe family. His mugs are an invitation — to hold something handcrafted, to slow down, and to remember that the land has stories worth telling.
About this Mug:
• Available in 11 oz, 15 oz, and 20 oz
• Premium white gloss finish
• Printed using dye sublimation technology — the image is fused directly into the ceramic surface for vivid, true-to-life color that won't fade, crack, or peel. Ever.
• Handle stays cool even when your coffee is boiling
• Microwave and dishwasher safe
• Print quality is exceptional — exactly as pictured
In 1972, Gary L Hightshoe took his landscape architecture students south of Ames and found this — a remarkable barn and hay elevator that told the story of every Iowa Farm Dad who ever threw hay bales by hand into a second-story loft. Before the hay elevator, storing winter feed for the cattle meant lifting and tossing hundreds of heavy rectangular bales overhead, one by one, in the summer heat. The hay elevator changed everything. A motorized conveyor belt that shuttled bales up and into the barn hayloft, it didn't just save time — it saved backs, shoulders, and entire harvests. It let the Farm Dad manage more livestock, store more feed, and spend a little less of himself on every single bale. Some of the greatest gifts in farming weren't given — they were invented.
Gary L. Hightshoe is an Emeritus Professor of Landscape Architecture at Iowa State University, where he taught plant materials, planting design, and landscape resource management for more than 47 years. Over the course of nearly half a century, his colleagues, clients, students, and family have known him by many names — the Tree Whisperer, the Grandfather of the Prairie, the Godfather of Savanna Studio — and every one of them fits.
A lifelong conservationist, ecologist, historian, illustrator, hunter, angler, photographer, and artist, Gary is the author and illustrator of two landmark works: Native Trees, Shrubs, and Vines for Rural and Urban America and North American Plantfile — books that continue to shape the field of landscape architecture. His most enduring legacy, however, may be Savanna Studio at Iowa State: the only traveling landscape architecture studio of its kind in the world. Over two decades, Gary led more than 1,000 students out from behind their desks and into the field — to the Boundary Waters, Yellowstone, Theodore Roosevelt, the Badlands, and beyond — because, as he has always believed, "you can't develop a relationship with the landscape from behind a desk."
Gary loves the great White Oak, the Pagoda and Flowering Dogwood, and any native prairie forb. His granddaughters will tell you he is decidedly not a fan of petunias, lilacs, or red-leafed varieties. And he has spent a lifetime restoring 40 acres of never-tilled original Iowa land — wetland, prairie, and forest — to the way it was always meant to be.
"Long after we've come and gone, a tree still stands." — Gary L. Hightshoe
Gary L. Hightshoe is one of five Kate Shu Collective STAR Resident Artists and a treasured member of the Monarch Shoppe family. His mugs are an invitation — to hold something handcrafted, to slow down, and to remember that the land has stories worth telling.
About this Mug:
• Available in 11 oz, 15 oz, and 20 oz
• Premium white gloss finish
• Printed using dye sublimation technology — the image is fused directly into the ceramic surface for vivid, true-to-life color that won't fade, crack, or peel. Ever.
• Handle stays cool even when your coffee is boiling
• Microwave and dishwasher safe
• Print quality is exceptional — exactly as pictured

